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Lighten Up! A Practical Approach
to
Keeping Students in Elementary Greek
Timothy F. Winters (Austin Peay State University)
Concisely put, I suggest that if we want to retain students, we should let
them have a little fun. It is all too often ignored that Greek was
not reserved for a few literati to write their great works. It was
(and is still) a spoken language. Although we often teach it as though
it was only a vehicle for great literary expression, we all know that there
are slang expressions, abbreviated forms, dialect differences, and curse
words, and we rarely if ever take advantage of such things to put a little
life in the language for our students. It is too easy to put the blame
for this on textbooks. A quick handout, or even a few minutes at the
board, noting insults involving animals, e.g., or offering some of the coined
words in Aristophanes, can spice up a class and make a connection with English. Likewise
curse tablets, those bits of rolled up lead with a few words scratched onto
them, help students to see that ordinary people used this language for all
sorts of communication. It is not a crime to make learning Greek fun.
In accord with that, in our zeal to focus on the greatness of Sophocles,
Homer, Plato, et al., we create a false impression in the minds of our students. They
come to believe that Greek writing is all fairly serious stuff. A second
secret that should be let out is the existence of the Anacreonta. These
drinking songs often bear a marked resemblance to the lyrics of today's popular
songs, and thus provide a great touchstone for shared experience. It
is not necessary that students know every form or vocabulary word in an ancient
Greek drinking song; seeing these with translations encourages students to
work a bit harder so that they can read more such material. Students
may even be moved to try their hand at composing a brief poem of their own,
or translating a verse of a modern song into Greek. If we can demonstrate
to our students that Greek was lively, they are more likely to deepen their
interest and therefore to stay put.
Finally, most of us learned Greek in a classroom in which the students had
precious little to do beyond sit still and answer questions. But as
our colleagues in modern languages have known for decades, students make
great teaching tools, and they can be very helpful in demonstrating, for
example, the three voices. A quick demonstration with the verb paÊv can break up a boring morning, focus
the students' attention, and imprint the idea of voice much more strongly
than the sound of my voice droning on at the head of the class. We
often tend to dismiss such things as the brief skits done by students of
modern languages, because we do not teach Greek as a spoken language, but
in that dismissal, we miss opportunities. Such physical interaction
with the students can be put to good use in a variety of ways. Actions
do speak louder than words, and they certainly assist the memory. They
also demonstrate to the students that abstract concepts have practical applications. Although
they run contrary to most professors' notions of how Greek ought to be taught,
such activities can affect retention rates for the good.
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